E. H. Butler Library Blog

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Image Making with Poems and Photographs

Posted by Dennis Reed, Jr. on October 1, 2009

On September 30th, the Rooftop Poetry Club featured Image Making with Poems and Photographs, a workshop led by teaching artist Karen Lee Lewis.  Exploring the connections between  photography and poetry,  Karen led the group through a series of writing exercises which inspired participants to create poems from photographic images.   Over 25 poets participated in the workshop; if you were in attendance, please feel free to post your poem in the comment box below.  Click here for more information on upcoming Rooftop Poetry events.

32 Responses to “Image Making with Poems and Photographs”

  1. Home from the Field

    But,
    you
    were
    gone
    so long

    • Karen Lee Lewis said

      Lisa, this little poem is anything but small.
      I love the expanse of it, the tenderness and the
      mystery it holds, the words falling like raindrops
      onto the ground.

  2. Theresa Wyatt said

    Naumkeg Gardens

    Give me the beauty
    of your pure white birches
    vaulting skyward in silence
    without restraint,

    my jealousy grows untrimmed
    like these grasses
    within your leafy grace
    and solitude

    oh, if I could but be
    a gardener here
    in search of daytime slumber

    do hedge me in then,
    close and tight

  3. Beautiful Theresa!!

  4. Karen Lee Lewis said

    Thanks for posting this Theresa, it is lovely.
    I especially like the line “oh, if I could but be”
    and also that fitting end of shrubbery.

    • Theresa Wyatt said

      Karen, thank you so much for your well thought out and professional workshop methodology. I carried a great deal away with me. I am still thinking about it. Perhaps you will offer a Part 2?

      • Karen Lee Lewis said

        A bit of kismet this morning from something I am reading…
        “What is the Dharma-Body of the Buddha?”…
        The question is asked in a Zen monastery by an earnest and bewildered novice…
        The master answers,
        “The hedge at the bottom of the garden.”
        “And the man who realizes this truth, ” the novice dubiously inquires,
        “what, may I ask, is he?” …
        “A golden-haired lion.”

      • Theresa Wyatt said

        Karen, beautiful thought here…zen…monastery. The gardens at Naumkeag, just discovered that I misspelled it are a very spiritual place. They do have a Chinese Garden there among so many others.

      • Karen Lee Lewis said

        Theresa, thank you for suggesting a Part 2 for the workshop! I know Lisa’s schedule is packed,
        but maybe I could offer another session. I’ll think about it some more and let you know.

      • Theresa Wyatt said

        Karen, I would be interested in any future workshops you might offer.
        Thank you.

      • Karen Lee Lewis said

        Theresa, you are so kind! I will be co-teaching two professional development workshops for teachers, for UB’s Anderson Gallery. An architect will lead the participants in a 3-D model making experience, and I will supplement with lesson plans designed to link architectural concepts with poetry/prose writing. The workshops will be on November 11 and 18 from 6-9. The sessions will be the same so you’d only need to sign up for one. There will be a nominal fee for materials. I will post more information about registration soon. It’d be great if you could join us!

      • Theresa Wyatt said

        I am so struck by the focus of these workshops, so interesting. I will look for further post re: registration, Karen. Thank you!

      • Sherry Byrnes said

        let me know about that, too, please. :-)
        who is the architect. i LOVE the Anderson Gallery.

  5. RD Pohl said

    Check out “Between Season Insomnia,” another fine poem by Theresa Wyatt on this coming Sunday’s Buffalo News Poetry Page. She will be reading next Tuesday (Oct. 6th) evening at 7:30 p.m. at Hallalls Cinema as part of Earth’s Daughters Gray Hair Series.

  6. Sherry Byrnes said

    Photos from my great grandmother,
    Louesa Adeline Asenath Johnson Miller,
    to me

    How many hours–and irons–were required
    to create
    (”A-HEM!”)
    starched “bloom” shoulders massed
    in plaid beneath
    a fine tied-off-in-a-bow’s delicate yet
    speaking-out-loud
    sidenote at her neck?

    Implication
    of tiny cinched waist yielding upward
    in perfect pleats and gathers
    to outstretched breadth exaggerated
    into a mercurial countenance crowned
    with upswept waves
    into
    colossal suspended
    …hair.

    By her own hand,
    her pride so evident.

    “Not many could fix their hair as big as I did–”

    In countenance, woman
    –imposing, serious–
    emerges with finesse from mischievous
    girlhood.

    Perfectly framed
    by a brim designed to reveal
    or conceal
    yet announce in wave
    of two-cupped-hands-big
    rich silk petaled poms across and over
    the dark field of _such_ a hat.

    In 1912–
    an age where imagism was nascently beginning to define
    clarity, precision, exactitude, compact
    as the standard–
    my great grandmother sat

    in glorious, forceful, impeccable
    STYLE to impress
    with flourish
    and
    her remembered comment:
    “HOT DIGGITY!”

    sherry l. byrnes
    2009

    • Karen Lee Lewis said

      Sherry, I really appreciate how this poem moves!
      It is brimming with life and energy.
      Thank you so much for posting it. I am enjoying seeing
      the work on the page. What about a title?

      • Sherry Byrnes said

        I tend to struggle with titles…they are so finite and disruptive to the fluid stream of consciousness where I seem to dwell most of the time…_if_ a title emerges, it tends to be later…suggestions, anyone?

      • Sherry Byrnes said

        maybe, “A Century’s Lens” ???

      • Theresa Wyatt said

        Sherry, I have enormous difficulty with titles too. My background is in Art and I have the same problem there, easier to deal with in art than in poetry I believe. How about “Implications?” A very rich piece, more than one poem for sure.

      • Theresa Wyatt said

        Just read again – how about “From Louesa to Me,” or “Louesa,” or “Mercurial Countenance?”

      • Sherry Byrnes said

        how about “Lens for Louesa Asenath”?
        my _grandmother_ was Louesa May; my _great, great_ grandmother was Louesa Ellen. i need a distinction!

  7. Theresa Wyatt said

    Sherry, I see, good one!

  8. Theresa Wyatt said

    Sherry, still trying to figure out the “reply” boxes. I see what you mean about title – good one!

    • Sherry Byrnes said

      i’m still working out the “reply” thing, too! maybe “Lens _on_ Louesa Asenath”? i sort of like the alliterative…and the reference to looking…into, through, back…

  9. Theresa Wyatt said

    Another thought for title – how about “A Century through a Lens”

  10. Sherry Byrnes said

    That’s Louesa Adeline Asenath…heh-heh!

  11. That would be wonderful Karen! Maybe next semester?

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